“It’s like riding a bicycle…”

“It’s like riding a bicycle…” the phrase usually implies that once something is learned, it’s learned and you’ll remember how to do it forever. But it’s not entirely true. Your skills get rusty if you stop riding for a while. Your muscles weaken, meaning you remember riding as being easier than it is when you do it again. The same thing happens with writing and editing…

Over the last three months I’ve sent a book off to a publisher, written a first draft for a novel, and taken a month off to deal with family/holidays/covid/etc. This month I’ve started at the very beginning of editing the first draft novel I wrote in November. Editing a first draft differs greatly from the last pass before sending it off edit (if it isn’t you might want to rethink your process). It takes a lot of work.

First draft editing is somewhere my “1 ½ pass” method really helps. First draft editing isn’t just cutting extraneous words. It definitely isn’t just a spelling and punctuation check. First draft editing means dealing with those themes that should have started earlier but didn’t, the stuff that’s out of place, and the things that need more attention and development; in addition to the things that need to be cut, polished, and spelling/punctuation checked. First draft writing can be a mess.

But you have to start somewhere (it’s not a cliché it’s a reality…) and you’re better off getting the big pieces in place before you spend too much time polishing the trim and dotting the ‘T’s and crossing the ‘I’s (I know what I said…)

First draft editing is necessary, even though it’s hard. It’s a place to be ruthless with your work but forgiving with yourself. Yes, you made errors, but you’re fixing them. There’s a lot of work in a first draft and you won’t see everything as you’re writing it (that’s what editing is for). Making mistakes is part of the process. While you’re editing “suffer ye not an error to live”, learn from the mistakes you’ve made, fix them and then move forward.

Editing that first draft is something you have to do if you want a readable product (or if you want to avoid looking like a complete a$$ on screen or in print). Sometimes we need a break, but remember to come back to your edit. Sometimes we need help, this blog and other resources are here to help. But ultimately, we have to do the work. Every time we go back to the beginning and start work on a first draft, it feels hard. But it gets easier with work and practice.

That said dear reader, I should get back to my editing (and you should probably get to yours…). See you next post.

Playing through…

One of the things I’ve heard from athletes and other ‘physical types’ is that you need to play through the pain. On the one hand this is true, sometimes you need to push through the pain in order to achieve. On the other hand, pain has a purpose, it’s there to tell us something’s wrong and potentially damage is happening to our bodies. As I’m planning for the year ahead and looking around at the world, I see an even bigger point that the coaches and athletes missed… You need to play through your fear! Yes, there are scary things out there, but we have to get past our fears to achieve anything, whether we’re in pain or not.

So dear reader, my message today is that in spite of all the noise in the world, our first step in succeeding in anything is pushing past our fears, and that’s definitely true for those of us who want to see our thoughts in print.

It’s been a while, but I’m back and looking forward to talking with you about this and many other things in the year to come. I’ll see you next post.

Nano and beyond

One of the most important things I’ve learned is “don’t forget the regular stuff, but don’t let it impede what you need to do.” It’s a hard balance to strike, but it’s important.

With NANOWRIMO coming up and a couple other major projects needing attention, I’m stepping back from the blog for a little while. I may or may not post again before December, but I’ll be back after the new first draft is done.

In the meantime, good luck with your own adventures, dear reader. And. I’ll see you next post.

It can be done!

This week I submitted my book Names and Secrets for publication. The first draft was written as a NANOWRIMO project last November, meaning the total time from first word to last gasp was 11 ½ months. So dear reader, you really can create a book in less than a year.

Now, the time from publisher submission to copies on Amazon is still in front of us (and will probably be another year if the book is accepted…). But that’s a new adventure (the minute publishing a new book isn’t a new adventure I quit…).

To get from wanting to write a book to having a published book is a long road. There are many steps and terraces along the way. Sometimes we get stuck. Sometimes we have setbacks. But the key thing is to learn from every step, every sticky spot, and every setback; and then keep going. Nobody knows it all right away. Not even Steven King hit a home run with his first submission. It is a learning process.

As you may know (I’m sure I’ve mentioned it at least once…) NANOWRIMO is coming quickly. I know there’s a lot going on in the world. But the writing and discovery process teaches us about ourselves and helps dreamers fulfil dreams. I’ll be working on a sequel to Names and Secrets this year, and I can use the company. So please, if you want to write a novel, give it a shot and join us for NANO this year. It can be done.

Good luck with your dreams dear reader. And I’ll see you next post.

Fox Boy

I’ve already said I’m doing a sequel for NANOWRIMO this year. This week I finished the submission draft of the first book! And I’m working on a non-fiction project, which has just gotten restructured (for the second time…). I’m dazed and confused at the moment.

So, instead of trying to hammer together something pithy and meaningful while not quite here, I thought I’d share more from the first book (and a character who may have grown since this chapter, but definitely has some growing up to do in book two…) As usual, the writing presented is my work and protected by my copyright.


Chief in training

“Mother,” Fox Boy said, “Father said I had to stay inside yesterday. He didn’t say anything about today.”

Lana Ka Mana’olana kept one eye on Fox Boy and the other on Faun, who was gathering up the breakfast dishes. She’ll get to go out again…

“Fox Boy,” his mother said, “Your father said you are to remain in the tent until called for.”

There was no point in arguing. He did say that. He said I have to stay in the tent. Fox Boy blinked. “Mother?”

“Yes, Fox Boy?”

“Can we tie the tent flap open?” Fox Boy asked, “And get some air in here?”

His mother watched him as she thought. “Will you be able to keep yourself inside if we open the flap?”

“Yes.” I’ll stay inside. But no one said I couldn’t sit at the door. Then I can at least see part of what’s going on.

Lana Ka Mana’olana sighed. “I’ll open the flap.”

“I can do it,” Fox Boy said.

“Fox Boy.” His mother smiled at him. “We both know that when you tie the tent flap open you have to step out of the tent. I’m already being nice enough by letting you sit at the door and look out.”

I tried. Fox Boy waited until his mother had the tent flap open before moving.

“Remember to stay inside the flap,” his mother said.

“Yes mother.” At least I can see out now. Fox Boy sat cross legged at the mouth of the tent and looked out. Too bad all the interesting things are happening on the other side of the camp.

Fox Boy sat and watched.

One of the hunters walked past, not even noticing him.

A gaggle of girls passed by. Two detached from the group. Morning Cloud and Berry Flower… They stopped right in front of the tent.

They looked at him and smiled. Morning Cloud whispered. Berry Flower shoved her. They giggled, then ran to catch up to their friends.

A woman with two braids passed by as if he wasn’t there. I think she’s from the Secret Valley band. So, at least that’s something interesting.

One of the camp dogs stopped to sniff the air. It shook itself, then sniffed a tent peg.

Maybe I should just shut the flap and be bored. No. That would feel too much like mother won. She sort of did already. She knew I wanted to sit here and look out. Fox Boy almost stood up.

“I’m telling you, that’s the rule!”

What’s Elk Chaser angry about?

“No it isn’t.” Hammer Stone’s voice was a little deeper and even louder than Elk Chaser’s.

He’s never been good at staying quiet.

“That’s why I said we should ask Fox Boy,” Rabbit Skinner said, “He’ll definitely know.”

“That’s true,” Hammer Stone said.

“He’ll tell you I’m right,” Elk Chaser said.

“We’ll see.”

The boys hustled into view, trading glares and snarls. Rabbit Skinner pointed at Fox Boy and the others turned to look.

“Tell Hammer Stone I’m right,” Elk Chaser demanded.

“Tell him I’m right,” Hammer stone said.

Hammer stone wasn’t as tall as Elk Chaser, but he was thicker and had more muscle. Both boys were almost twelve and looked like they were twelve already. The last traveling merchant through here thought Elk Chaser was thirteen.

“Fox Boy,” Rabbit Skinner said, “These two are arguing over the horse rule.”

Again? Fox Boy sat up straighter. He folded his arms and tried to put on the face his father wore at council fires, the one that reminded others that Alaka’i Kupa’a was high chief, the one that reminded them Alaka’i Kupa’a was in charge.

“What’s your disagreement,” Fox Boy asked.

Hammer Stone pointed at Elk Chaser and said, “He says my father can’t give me a horse after I get my name.”

Elk Chaser nodded. “Once he has his name, Hammer’s a man of the tribe. And we all know a man of the tribe can’t ride another man’s horse.”

“It wouldn’t be another man’s horse if father gives it to me,” Hammer Stone said.

Rabbit Skinner shook his head.

“You can’t just give a horse,” Elk chaser said, “Nobody can, that’s Raven law.”

“Your father and mine traded horses just yesterday,” Stone Hammer said.

“Traded,” Elk Chaser said.

“Traded.” Stone Hammer nodded a big nod. “They each gave the other a horse.”

“No, they exchanged horses,” Elk Chaser said, “That’s different. Tell him, Fox Boy.”

They all looked at him, expecting an answer.

Fox Boy took a long breath before speaking. Father waits before speaking in council. So does Old Storm Cloud. “Your fathers,” Fox Boy said, “traded horses. They each had one to start with and swapped.”

“Exactly,” Elk Chaser said, “That’s different from giving a horse to someone who doesn’t have one.”

Fox Boy nodded.

Hammer Stone turned slightly and curled his nose. “So how am I supposed to get a horse?”

“You know that,” Elk Chaser said, “You have to be fast like me. Or smart like Fox Boy and Rabbit Skinner.”

“Being fastest doesn’t always get you a horse,” Fox Boy said. Not unless you run faster than horses do. “Hammer Stone could take one from the city folk. They tie their horse up at night.”

Hammer Stone and Rabbit Skinner both nodded.

“The City Folk are trying to steal the valley lands,” Fox Boy said, “So it’s fair.”

“So, all I have to do is find some city folk,” Hammer stone said, “Then sneak in and take one.”

“That’s what Elk Chaser’s planning to do,” Rabbit Skinner said, “So am I.”

“But I sneak better than you do,” Elk Chaser said.

“We’ll see.” Hammer Stone smiled. “We’ll see.”

“We will,” Fox Boy agreed, “But we’re going to have to get our names first.

“Uh huh…” Hammer Stone smiled and frowned at the same time. “When do you think that will be Fox Boy?”

Fox Boy felt his mother’s eyes on him.

Father and Old Storm Cloud never said they were going to call us to the council. Got to say something. Maybe I shouldn’t have asked mother to open the tent flap. Fox Boy grouped Elk Chaser, Stone Hammer, and Rabbit Skinner together with his eyes. “That’s a decision for our fathers and the shamans.”

“And they’re meeting right now,” Rabbit Skinner said.

“They are,” Fox Boy said, “And we’ll have adult names as soon as they decide.” Whenever that is…

Nano success, it can happen!

October 2020 is an important month for me, the NANOWRIMO project I started in November 2019 will go to the publisher this month, just in time for me to start the sequel as my NANO project for 2020! While this isn’t my first NANOWRIMO project to see print, it is the one with the shortest transition from idea to ready for submission. And this one is headed for a bigger publisher than my first success with Johnson Farm.

A lot of credit for the book being ready to submit in (slightly) less than a year goes to the effort I put in to learn and develop my writing skills and process. It takes time to develop your workflow, your editing style, and your understanding of how to do the work. It takes experience to recognize mistakes and to fix them, or to avoid making them again. My fifth NANOWRIMO project is going to a publisher this month because of what I learned in writing and editing the last four books.

And, with this book safely on its way, I can use my experience with this book to go back and improve the previous ones. Late last year I decided I should do a reissue on Johnson Farm. I couldn’t leave things alone and felt the need to do a sequel and a parallel series. So, it makes sense to go back and ‘true up’ the original book with the things I’ve learned since. My 2018 project led directly to the idea I’m submitting this month and is a related (but so far unpublished) story. After completing my 2019 project, I know how to help that one on its way to success.

If you’re new to NANOWRIMO (or just to fiction writing…) writing a 50,000+ word manuscript can easily feel like the hurdle in the project. Those of us who’ve gotten that far realize it’s just the first hurdle in publishing a successful book. it’s not the end of the road, but it’s somewhere you have to go. And there are things you can’t learn about yourself and your process until you succeed in that step.

Writing that first draft is a challenge. And it’s easy to lose hope along the way, or even after you’ve finished the draft. Your first draft doesn’t look or feel like a finished book yet. Don’t expect it to! There’s more work ahead and more to learn. But by getting through that draft, you’ve taken a big step. You’ve beaten a barrier that keeps many people from succeeding. And now you can take the next step.

It’s all about learning. And sometimes you need to get a couple first drafts under your belt before you’re ready to move on to the next step (but keep trying in the meantime…).

As I mentioned earlier, I’m writing a sequel for this year NANO project. Next week I’ll introduce one of the characters who’ll be adventuring with me in this new book (I am relatively sure he survives this one…). In the meantime, dear reader, good luck in your own writing and editing and I’ll see you next post.

NANO is coming…

I know. It’s still six weeks out. But the time to prep for National Novel Writing Month is now, while it is six weeks out. Writing a novel is a serious endeavor. It takes effort. For many of us, it takes planning. Even if you’re a “pantser” who’ll start on November 1st with a blank page and an idea (or even just a blank page…) you need to do some planning for the time and resources you need to write 50,000+ words in a month.

In my case, I’ve got most of the people around me trained not to bug me during November (at least until Thanksgiving (I usually have the draft done by then though…)). I have my idea in place and know most of the main characters. But I haven’t announced my story yet, I should really get my home office cleaned up (I’ll be living in there for a few weeks…), and I need the local bottler to deliver at least a pallet of my favorite writing fuel.

I’ve ‘won’ NANO five years running and I’m convinced that a major reason for that is the prep I do before November starts. Having plans in place for how and when I’m working and having things in place to execute that plan is at least as important as having an idea or outline. If you haven’t put in the work to have the time and space to write you won’t do it. And if you don’t write, you can’t finish.

Well, dear reader, speaking of finishing… I should get my plans shored up and make sure I’m ready. Good luck with your own writing. And, I’ll see you next post.

Improving your stories (Part 3)

Well dear reader, as promised this week I’m resenting a revised version of my story Life, Death, and Mr. Boggs. I won’t claim that the new version is perfect (After NANO, when I’ve worked on my world some more, I’ll probably want to change it again). But I think this version is a lot better.

I’ve said it before. Editing is an important part of the writing process. And being honest with yourself about the story is an important part of editing. With this story, that meant admitting to myself that I had things to fix.

So on with the story. And, just like last time, this is my work (and I hold the copyright).

Life, death, and Mr. Boggs

Maria’s eyes swept the room one more time. Just because I don’t see any of them doesn’t mean they aren’t here. I mean, Elaina found me. And, if my cousin’s here, there are at least two teams from the family.

Whoever ran the place had gone to lengths to make the taproom seem intimate. The tabletop candles provided just enough light to see the others at the table and allow the staff to maneuver between the hushed conversations. The place was a good choice, but only if the uncles weren’t aware of their presence. And that doesn’t seem likely.

Elaina’s part of the family. She’s the one that found me. I can only hope she understands. “I’ll die before I marry him,” Maria said

Across the table, Elaina flinched. The white widow’s peak in her glossy black hair shifted. Is it really there? It didn’t seem to be an illusion. She seemed to wear her actual face. But the widow’s peak was new. So was the scar on her cheek.

“Do you know what they’re asking?” Maria felt her eyes bulge. I know she knows. She has to.

“I do.” Elaina sounded cold, clinical. She held her emotions in check the way they’d been taught. Still, something about her felt different. And the widow’s peak didn’t seem like an illusion. “I also know why they’re asking.”

Even in the near dark, Maria felt eyes on her. She looked around again. She cast a simple detection. No magic sensors, at least none that I can spot.

Elaina shook her head and sipped her drink. She held the glass up and peered through it. “I wouldn’t worry Maria. I’ve taken steps. The family wouldn’t expect either of us in such a low establishment. And the owners are friends. Part of my husband’s team.”

“Your husband’s?” the thought didn’t match reality. At least not the one I understand. Maria surveyed the darkness again. I have to find somewhere safe. But where?

“Really,” Elaina said, “There’s no reason for concern. The owners work for my husband. And some of the staff…” She nodded to a passing barmaid. “… work for me.” With a poise more natural than trained, Elaina shifted her posture just slightly, and leaned in over the table just enough. Even a passing barmaid wouldn’t have overheard her. “I’ve gone through some changes since we last met.”

“You look different,” Maria said. And my detection would have spotted an illusion.

“I’m far more secure than I used to be,” Elaina said, “more comfortable with myself too.” It showed. “I thank my freedom.”


“And my husband.” Elaina played with the golden ring on her finger as she spoke.

Maria leaned in a bit. “I thought your husband was…”

Elaina smiled and licked her lips. “My first husband was a convenience, a pretense for the uncles to have someone in a given place at a given time. Rather like your own engagement, I suspect.”

Maria nodded. Her eyes searched the surrounding darkness.

“You won’t find any agents here,” Elaina said, “I’m the only one here that reports to the uncles.”

Will she send me back? I won’t go.

“And,” Elaina said, “I only report to them when I want to.”

Hope appeared for a single heartbeat. Then the image of the uncles’ enforcers scared it away.

“My first husband was no help to me,” Elaina said, “and could have done less for you.” She smiled a wide and satisfied smile. “My second husband has done so much more.”

Second husband. I won’t let them do it to me twice. I don’t want them to do it once. Maria leaned back, away from the table.

Elaina caught her hand. “My second husband wasn’t an arrangement of their making. It’s an arrangement of our own.”

Of your own? How? “Elaina?”

“The church and the family didn’t,” Elaina said, “Not until we made them. And the way things happened, they didn’t have much to say. After Heber’s untimely death, I’d fulfilled my marital obligation to the family. And the church couldn’t ignore their own precedent.”

Maria nodded. The church couldn’t ignore precedent. “But the family, Elaina? They deal with those who break faith. The assassins-”

Elaina shrugged, pulling Maria tighter against the table then releasing her. “It’s been tried. Repeat performances are not recommended.”

“But… Our assassins are relentless.”

“Fortunately,” Elaina said, “Someone else tried first. And, for once, the uncles learned from someone else’s example.”


“Third party interference,” Elaina said. She leaned back. Her face faded into the darkness “They don’t like the story getting out.” She took a deep breath and let it out slowly. “Frankly, I’m not too fond of it either. The results, yes. The story, no.”


Elaina glanced quickly at the tables to either side. “Witnesses don’t entirely matter,” she said, “Those who need to know already do. And everyone else, what could they say against my own story? But, I don’t need it spread around either.”

Maria nodded

Elaina began the tale:

My father and the uncles, developed an interest in expanding into a little town close to the mountains, somewhere they could further draw the local miners into the family’s coils.

“You understand that part, don’t you?” Elaina asked.

Maria nodded. I heard. And it’s what they wanted from me.

Elana clicked her tongue and continued.

Unfortunately for me, sending a gifted overtly would have drawn unwanted attention. Vimbarge hadn’t quite fallen into chaos yet and they, or one of the other city states, might have taken notice.

There was no gifted in town to whom I could be wedded, just the ‘celibate’ priests in their overbuilt church. But there was a tavern master in search of a wife.

Heber was a petty and boorish man, and drunk more often than I deserved.

Elana sighed and pushed her glass farther from her. “But even he didn’t truly deserve what happened. It was just fortunate enough for both of us it happened the way it did.”

For both of you? Maria nodded, and bent in so she could hear more clearly.

For two years I played wife to him. For two years I reported to the family. And fended off his advances. Dealt with my husband’s demands.

Maria shivered. I heard rumors about mine too.

Finally, they decided the village of Haystack was ready for occupation. But they also found themselves wrapped up in the ongoing drama of Valle Dios.

Elana made a sour face.

The city of the pass was far more important than Haystack. So, the uncles ordered me to precede, but gave me no assets to work with. I was left to seek resources on my own.

That meant making alliances with certain forces. It meant reaching an agreement with breakaways from both the city folk and the nomadic tribes. I even had a troop of Horde Born and one of the lesser giants dancing to my tune.

And that led to attention, from other elements, both from the city states and from my true husband.

Maria blinked. Two husbands…

Ulbrect was at loose ends already. His first wife was in the Raven folk’s secret home, or so he thought. He and his associates were working to improve Ulbrecht’s new headquarters, and finding it slow going. They agreed with the town elder to face off against my allies directly, in exchange for information and needed supplies and labor.

They won too. Ulbrecht can be unfocused. But he’s no fool. He’s just got multiple interests, which occasionally conflict.

Elaina smiled. “That’s why he needs me here. To take some pressure off.”

Elaina… Maria searched the room again. Two husbands… Uncles would never allow-

“Maria,” Elaina said, “Try not to jump ahead of the story.”

Maria nodded and sipped her drink.

While Ulbrecht and company were putting my ‘allies’ down, some people from Vimbarge got involved. The city state faction wasn’t stupid. They kept their identities quiet, or tried to at least. They sent Mr. Boggs.

“Who?” Maria asked.

Elana Shrugged. “There’s no particular reason for you to know the name. He was just a second-rate necromancer from Vimbarge, before he died that is.”

Mr Boggs was a lesser gifted, a wizard more interested in death than life. Like most of his kind, his interests killed him. Unlike most of the others, he found some measure of power before he died. He made dead men walk. He made them serve him.

He pressed on and found greater secrets before the end. Secrets that weren’t meant to be known; secrets that killed him. But death only made that power stronger. He had well over a dozen zombies with him when he arrived, including the two brutes he brought with him into the tavern.

“Into the tavern…” They attacked you on your own ground?

“That was when I first noticed him,” Elaina said, “When he came into my tavern.”

He was surrounded by a pall of stench and darkness, a side effect of his life’s, and death’s, work. The smell of his two rotting ‘companions’ didn’t help matters any.

Boggs was an intelligent undead, a walking corpse with both mind and purpose. He kept his magic and his desire for power.

His desire for power drove him. He envied those greater than himself. He coveted anything of beauty or value. Even though he knew he would corrupt them.

He spotted me immediately. And I saw desire in his dead eyes.

Desire. The uncles said the man I’m to marry wants me, desires me. They also said… Maria didn’t finish the thought. Her husband to be was a Vimbarge native too.

The two he brought with him had been humanoid, but not human. Their rotting forms were taller and thicker than a man’s. Their heads resembled those of pug dogs as much as those of human folk. Honestly, I think they might have chewed on themselves at some point.

I knew what they were, what they’d been while alive. Ogres aren’t hard to recognize once you’ve seen one. I don’t know if the others recognized them or not. But once the brutes started breaking bones and tearing bodies, it didn’t really matter. Death is death.

Elaina leaned back, melding with the shadows. She sat, for just a moment, with her hands folded on her lap.


Elaina reentered the light and shook her head. “Nothing to worry about. Memories I hope you never have to face.”

Boggs came straight at me. The pawl of darkness around him slackened. The smell did not.

His robes hung in shreds and tatters over his desiccated flesh. The dryness of his meat might have disturbed me, but the maggots seemed to find it pleasant.

He headed right for me.

No one tried to stop him.

I felt him come closer as much as I saw him.

“Have you ever been alone? Really alone?” Elaina asked.

Maria searched her memory and shook her head.

“Family marriages make you feel that way sometimes,” Elaina said, “That’s part of why I’m not turning you in. I don’t want you to feel the way I did.”

Maria let out a long exhale. She felt the tension drain from her body.

“Sometimes people can surprise you,” Elaina said, “sometimes the husbands the family gives us are more tenacious than we think. Even the weak ones.”

I was sure no one would help me. But then it happened. Heber stepped between me and Boggs. I think the poor fool was more afraid of having to explain himself to the family than the dead man. It was a mistake, but I’m grateful for it. I’m grateful poor Heber stepped in to protect his prize possession.

Possession… Maria’s eyes searched the darkness, looking for family assassins, and would-be suiters.

“I have no intention of letting that happen again,” Elaina said, “Not to you, me, or any of our daughters.”

Daughters… That would be a whole new level of the problem.

Elaina shook her head. “Not if I can stop it.”

Heber valued me as a possession. And I valued him as a tool, an expendable one. Still, in that moment…

I watched.

I saw.

I saw every detail of Boggs’s hand, every shred of desiccated flesh and every bit of unwashed bone, as he wrapped his hand around Heber’s throat and drained him.

I saw my husband’s eyes glaze. I watched the last spark of life drain from him.

Then Boggs came for me.

For some reason, I still couldn’t bring myself to move. I’m usually quite level-headed. You have to be to survive in our family. But in that moment, I couldn’t move at all. All I could do was watch Boggs come closer.

I heard him come closer too. At first, I thought it was creaking leather and the click of hobnailed boots against the floor. I realized it was the creak of long dead flesh, and the clack of his foot bones against the floor.

I couldn’t move. I wanted to, but I couldn’t. Boggs put his hand out. The same hand he killed Heber with. He kept coming.

I couldn’t pull away. Boggs wrapped his hand around my throat. And his touch was cold.

Maria’s hand slipped to her own throat.

I felt my life draining out of me and into Boggs. And that was when it happened.

The flash.

The shock.

That was the moment I died.

“Elana, you’re joking.” It couldn’t be.

Elana shook her head. “No Maria, I’m not. In that moment, I was dead.”

“You couldn’t have been,” Maria said. You’re right here.

“I was.” Elana shrugged. “I didn’t learn the rest till after.”

The next thing I knew I was upstairs in my former bedroom, in my former bed. Ulbrecht was looking down at me. He was standing over me and wearing an expression as confused as my own.

“I’m sorry I had to do that,” he said, “But if Boggs had killed you, you’d have risen as one of his minions. I had to kill you first. The rest of it, well, that’s a bit harder to explain.”

“Elana, you said he killed you.” Maria shook her head. “I mean, he couldn’t have killed you.” Not if I’m talking to you.

“No,” Elaina said. She took a long breath. “I’m not. Ulbrecht killed me and then raised me from the dead.”

“That can’t be.”

“It is.” Elana picked up her glass and held it up to the light. “It’s not really as simple as it sounds. The specifics of how, the complications after, those are stories for another day.”

“Complications?” Maria asked. She backed away from the table.

Elana set her glass down and laughed. “Nothing like that. I won’t bite you. I’m not some member of the undead. But Ulbrecht’s wife, his first wife, had just been through an ordeal of her own. She was in an odd spot and had some odd ideas.”

“Odd ideas?”

“She was the one who decided Ulbrecht and I should marry,” Elana said.

“She decided?” She decided? What…

Elana nodded. “Her ordeal made bearing children… Complicated. At the same time, she was rather fixated on growing her little family. And she thought I owed her husband, you know, for preventing my unwilling induction to the ranks of the undead.”

“Owed him,” Maria said, “But…”

Elana shrugged. “We both know polygamy isn’t unheard of among the gifted. At least one of the major churches actively supports it. And it just so happened that the arrangement solved problems, for all three of us.”

Elana smiled. “Four if you count yourself.”

“Me?” Maria gasped. “I can’t… I couldn’t.”

Elana’s eyes narrowed. “No, you couldn’t.” She shook her head and smiled. “That’s not what I’m asking. Neither Ulbrecht nor I would consider it. Esperanza, the first wife, wouldn’t consider it. In fact, I wouldn’t even think it around her if I were you.”


“Ulbrecht is building his fortress in the mountains,” Elana said.

“You mentioned that.”

“He also has an estate here in the city,” Elana said, “having no one to look after the place bothered my husband, and our marriage gave him a solution. It gave me a private domain much more to my liking.”

Maria nodded. You always preferred the city. And if your husband isn’t here…

“Ulbrect has someone to watch the house” Elana said, “Esperanza has someone to raise the children. And I have my private domain. Ulbrect and Esperanza are willing to let me run my own operation so long as I keep marital and fiduciary fidelity. And the situation keeps the uncles, or anyone else, from trying to marry me into some less satisfactory situation.”

Maria nodded. A marriage of your own. A marriage you chose. But…

“As it is,” Elana said, “I’m free to hire servants, and others, as I see fit. But our happy little city is decidedly lacking on one key aspect.”

One aspect? What do you…?

“I need a second,” Elana said, “officially a maid servant or lady-in-waiting. Someone who understands me, my thoughts and desires, and the way Ulbrecht and I run things.”

Father always said one stands or falls on the strength of those around you.

“It also helps,” Elaina said, “that you understand how the family does business.”

“Me?” Maria asked.

“You.” Elana said. She smiled. “You’ve run off already. You abandoned your arranged engagement. No one knows you’re here, and we can keep things that way.”

A second? In our own operation…?

Elana drew Maria’s hand across the table. “You’re the perfect choice,” she said, “Unless you’d rather I drag you back to your arraigned marriage.”

Maria smiled and interlaced her fingers with her cousin’s. “For you, cousin? Anything.”

“For me,” Elaina said, “And for your freedom.”

My freedom…

Want to understand your language? Learn another one…

As a writer, I spend a lot of time thinking about language. It’s something writers do. One thing that’s helping me think about language right now is thinking in a different language.

People in high school or college language courses say, “I really didn’t learn English until I tried to learn (insert foreign language).” In a lot of ways, that’s true. As a high school or college student you’re working on the mechanics of English and learning another language makes you think about the basic mechanics. But there’s a deeper level.

The basic mechanics “learn English by learning another language” method is great for reminding you what a noun is, what a verb is, and maybe even the clinical definition of an adverb or gerund. There’s lots of “Ok, this piece goes here…” But if you want to really learn language and learn to use your language, take the next step. This piece goes here, but why does it go here.

I’m not quite six months into learning Japanese. One difference between Japanese and English is that in Japanese you don’t use you or I as a sentence subject unless it’s really needed for clarity. Which leads to asking “Why is it necessary in this case but not that one?”

Japanese uses different accessory words. It takes a while to figure out why you’re using HA in one instance and GA in another. ‘O’ is easy to cope with (at first) it replaces HA in some situations and you just go with it until you realize there are other situations where O is correct and you’re not sure why.

Learning a new language can strengthen not just our basic understanding of the mechanics of language, but add to our thinking about why we use particular words in particular places. It helps us consider which word to use, in which place, and why we’re doing it.

To really understand a language, you need to learn to think in that language. Learning a new language gives us a basis for comparison for thinking about and thinking in our old language(s). it helps us to do the meta thinking about how our language works and primes us to think about different, and possibly better ways of saying what we want to say?

Better ways? Yes, better ways; ways of saying what we mean in the best way possible. That may mean being more succinct. It may help us paint word pictures with increasingly evocative imagery. It may help us find ways of communicating that stand out from what everybody else is doing.

When we learn a new language, we think about words, communication and how they work. When we ‘get out of the house’ and learn a really different language (one that has a different alphabet maybe) we expose ourselves to true diversity in thinking. When we explore ‘close to home’ languages (say a Spanish speaker learning French or Italian) we strengthen our ear and ability for fine grained nuance, for the things that are just slightly different but make such a big difference.

Leaning a new language is an excellent tool for expanding and refreshing our understanding of the words we use every day. That said, I should get back to learning Japanese. Good luck in your language adventures dear reader. I’ll see you next post.

(Now seriously… why does Japanese use a different numbers when you’re counting glasses versus when you’re counting forks…?)

Improving your stories… (Part 2)

In the spirit of show don’t tell, I put up one of my stories here on the blog last week with a promise that I would put up both my list of things to work on and a rewritten version of the story. This week I’m presenting my ‘fix it’ list and talking about some things that need to be changed and why.

The story Life, Death, and Mr. Boggs isn’t a complete failure. It succeeded in several ways: I needed to get a story out and I got one, it introduced some players to a role playing campaign I was launching, and it helped me set (and tell about) some history and doings in a part of my world of Midwol. There are things that I like about the story. But there are definitely things that need to be fixed. In particular, I will work on:

  • Character motivations
  • Point of view
  • Choppy flow
  • Assuming too much reader knowledge
  • Sticking the ending.

The story did some things I wanted it to. But it could be so much more. So, let’s look at my ‘fix it’ list …

Character motivations

The only character in the story whose motivations are really clear is Mr. Bog, and he’s there because somebody paid him to show up and make a ruckus. Elana’s motivations become somewhat clear, she wanted to get out of a bad marriage and hires her cousin as part of her operation, but that’s all shallow stuff. And speaking of the cousin, why’s she involved at all? Elaina tells us an answer, but we never really get to see it.

The first step in the rewrite is thinking about why the characters are doing the things they are and what was behind their previous actions. Much of the rewrite (especially sticking the ending) will come from this.

Point of view

One of my first realizations while rereading the story is that I didn’t really establish point of view until somewhere on page 3. I need to establish point of view on page 1.  But that’s not the only issue.

I made another mistake that’s easy to fall into, I wrote the story from the perspective of the character I knew best (Elaina). But, between the cousins, Elaina is really the low stakes character. She knows her story with Mr. Boggs. She’s establishing her own little empire. She’s consolidating her power. Her cousin Maria is much more vulnerable. In many ways her reactions, and her story, can be deeper and more interesting.

Maria’s got the most to lose at the moment. So, I’m going to rework the story from her perspective. That will help bring the action and resolution into the stories present instead of losing it in the story within the story. It will help bring in some needed immediacy to the narrative. More work, yes. Better story, probably. I’m looking forward to finding out.

Choppy flow

I was trying to control story flow… I didn’t do as well as I’d hoped. So, since I’m pulling things apart anyway, why not rework things into a smoother form? Chop can be useful, but I have to remind myself to only use it on purpose, and where it’s really needed to make my point or lend to the feel. Too much kills those things and makes the story harder to read. So, time to break out the verbal sandpaper…

Assuming reader knowledge

Part of the point of the story was introducing people to my world. But I’m feeling like I may have done too much too fast. True, the characters would know all the geography and place names involved, but the reader doesn’t. While I want to include some world building and orienting data, I don’t want to be that one teacher (You know, the  one who says, “for tonight’s homework read chapters 1-17 and be ready for a quiz tomorrow!”).

So, I need to make sure that there is some world specific information in there. But I need to make sure it’s relevant to the story. Other stuff can come along in other stories and at other times (ya gotta have faith in your readers…).

Sticking the ending

Ok… So… Elaina died, but she didn’t… And then she got remarried… And then what happened? The story within the story resolved, but the immediate story didn’t resolve in a satisfying way. Elaina offered Maria a position in her organization. But did she take it? Why or why not?

Stories with a memorable, impactful, ending work better (remember the series ender for the Sopranos? Or, how about the awards scene after Luke and company blew up the Death Star?). In the rewrite I want my immediate ending (the one for the characters present when the story in the story is told) to pop and be satisfying. In part, I’m doing that with my point of view shift and improved understanding of character motivation. But, even with those fixes, I need to make sure the ending works. It needs its share of the attention too.

So, that’s my planned list of fixes for Life, Death, and Mr. Boggs. Do you have any ideas? Want to disagree with mine? Leave a comment. Constructive criticism is always welcome.

From here the next step is to rework the story. And then, in a couple weeks, I’ll put up the new (revised) edition. And then talk about why I did what I did.

As writers building our craft is necessary for success. Most of the greats never stop (and you can tell when one does…). Thank you for joining me in this foray into improving my craft dear reader. And, I’ll see you next post.