The 1 ½ pass pass rides again!

Well dear reader, this week I started on a dangerous task. I’m applying new techniques to old work. Recently I submitted my novel Unintended Consequences to a larger publisher. Part of my pitch was that Johnson Farm, my first novel, would be pulled, re-tuned, and updated. The idea is the entire double series will come out under one label.

Johnson farm was a first novel. It came out before I discovered the 1 ½ pass editing technique . It’s a little dated. And, I’ve learned a thing or two since I wrote it. Now, I’m re-editing and rewriting with new techniques and understanding. It will make the book better, but there are real challenges.

What challenges?

Well… I knew there would be updates for some real-world events and changes, and a few things that better tie in with Unintended Consequences and its sequel The Calm Inside the Storm.

I did not expect that I will be doing major rework on my ‘funeral’ chapter. I thought it was the most solid one in the book, and it was one of the first finished. But, I’m finding I may just have been afraid to cut into my ‘sacred cow’.

I definitely didn’t think I would rewrite the post log. When I did my initial work on Johnson Farm’s sequel Going Home the Hard Way I didn’t think the ending of Johnson Farm was a problem. I also didn’t know I would do a ‘side series’ that covered the time span in more detail.

I found those challenges reading the first 40 pages. Since then… I’m planning to split a major chapter and revise each half to better reflect themes in the book and create better tone for each piece. And, I still have the conjunction of Johnson Farm and The Calm Inside the Storm ahead of me (Monday will be fun! In a pass the caffeine and hide the sidearms kind of way…).

Next week I’ll start re-editing the old stuff while first editing the new stuff in parallel. This is where the 1 ½ pass technique will really help. It’s the point where things become really complicated.

Better techniques, better results

Johnson Farm existed before the 1 ½ pass technique entered my life. Editing the first edition would have been faster with the new technique (a lot faster…). Each pass would have taken longer, but I wouldn’t have had to do as many passes. I would have been able to work on big picture issues that crossed the whole book much sooner, because I would find them, think about them, and create better solutions all in one pass rather than taking two or three go-rounds to get them through my thick head. I could have skipped some intermediate steps that didn’t work because I could see the entire project better.

And the benefits keep rolling… Now that I will be editing the old, simple, one perspective most of the way story alongside a second text, the 1 ½ pass method helps because I need to do more meta thinking between the books and within each book. It’s hard to do that when you only work on one book at a time.

The coordination between books will make editing better and faster. It also boosts my confidence for the next step… When I resume work on Going Home the Hard Way while I’m doing the initial writing of the final book of the Unintended Consequences trilogy.

Learning new things, developing new techniques, helps us to do more, create better products, and do things we couldn’t have done before. It can be scary to open old wounds . But, sometimes coming back with new techniques helps us turn mediocre old stuff into something great.

Editing takes work and patience. Good writing takes effort and learning (not just knowledge but learning…)

It’s difficult dear reader. But, I’m doing it. And, so can you!

That’s it for this one. Good luck in your writing, and… I’ll see you next post.

The middle of the pass… And facing the hard stuff…

Two weeks ago I talked about the “one and a half pass” editing pass. And, 345 manuscript pages (73,500 words) later I’ve dug through the reader feedback, made my notes, and found three things that need more than a one word fix or altered point of punctuation.

Two of the three are relatively easy. I need to move a little character description earlier in the story. There’s work involved, but it could be worse. The first fits in with my heroine’s natural way of going and the second is easily dropped into my ‘rather particular’ (aka anal) antagonist’s running commentary about the people around him.

As I think about it, it’s kind of weird I missed them in the first place… But that’s part of the challenge of writing fiction. You have to get the story in your head onto the page in a complete form that the readers will want to read. It takes practice and training, but if you’re willing to do the work, you can get there (And if you think you’re there… Check anyway).

The last change is big. It’s the hardest change to make. It means the most work. But, it will pay off in the long run.

Part of the stress on my heroine comes from two videos that show up in the middle of the story. Initially, I thought the same character shot and posted both. But, the videos need to be on two different accounts, and have different styles and kinds of content. It feels like more than the original perpetrator would do. Generally, things don’t feel right.

The videos are important. They help put pressure on the heroine and drive her toward making a mistake. They need to be there. But, the way they were initially conceived didn’t work. So, I borrowed some teens I know and had a talk about embarrassing videos. And yeah… I’m making some changes.

And, the changes are more than just inserting a different name. Two different characters are putting up the videos now. One of those characters is the original. His video was put up on a false account and the two characters didn’t get along well in the first place (and the account hasn’t been tied to him yet). So there’s not much change to be done.

But, the other video is now being put up by a female character that the heroine knows. It will change some interactions between those characters, which means I have to work through all the references to that video, all the interactions with that character, and stuff relating to that character and rework things to fit her being the video poster.

It’s a lot of work. But, it focuses and increases the pressure I wanted on my heroine. It gives my antagonist something to be mad about (in his mind he’s protecting the heroine). And it fits. It’s a lot of work; it means digging through, thinking, and reworking, but makes the story better. Making the story better matters.

I’ve already put in a lot of work. This is supposed to be the last go ground. And, I’m lucky; there’s only one significant change, and it’s a fairly manageable one.

Taking your story apart and reworking pieces can be a pain in the butt. It’s not something we like to do. But, if you want the story to work, sometimes you have to rework a piece or two. And, that work extends beyond just rewriting a sentence or two. It can mean making changes across the length and breadth of the story.

It’s not something you have to do; it’s something you have to do if you want the story to be right. It’s something we all need to do from time to time (Ask Steven King if you don’t believe me…). It’s rewarding. It makes your story right; it helps your readers love your work; it matters.

Telling a good story should be a goal for any fiction writer. And revision is part of that. It is worth the effort.

That’s it for this one dear reader. Do your revisions. Make your stories great. And, I’ll see you next post.