The “one and a half pass” editing pass

The day this post goes live I’m collecting the last of my reader feedback for Unintended Consequences. That means Monday, June 3, 2019, I am starting what will, hopefully, be my last pass on the book before the whole thing gets submitted to the ‘big’ editors for publication. It’s time to give the whole manuscript one big once-over using everything I’ve learned, just to make sure it’s ready.

I’ve said it before, one of the best things you can do to develop as a writer is to read about writing.  A while back I read Steven King’s On Writing and learned something important….

One of the most helpful (to me at least!) things in that book is the simple statement that when Steven edits, he makes notes on themes. When I read that. I realized I should do the same thing. It would help in longitudinal (through story) editing. I tried it, and my system’s grown from there.

This new and evolving system has really helped me pull the book together. Since I’ve developed the “one and a half pass” editing pass I honestly get more done each time I go through a manuscript.

Why a “one and a half pass” pass.

Well, that’s because the first pass isn’t really a complete pass. The first time through, I might fix little things: typos, little bits of formatting, etc. But I’m spending a lot more time marking the bigger stuff I need to work on and making notes. What this does for me is it helps focus on the themes important to the book (and the ones that need to be edited out). It also helps identify problems in continuity within the book (and between books if you’re doing a series…) and gives me time to think about those big fixes and insight about how to resolve them in the context of the whole book.

So, the “first” pass isn’t really a complete edit. It’s a list of what I need to work on in the edit. The second pass begins armed with the notes I’ve made and helps me fix the things that need to be fixed, drop the things that need to go away, and focus on the story as a whole.

That “second” pass is really a complete editing pass, but I couldn’t do it without the first ‘partial’ pass.

Why not just make notes and edit everything in one pass? Because, that results in lots of little mucking about with things that will change again (possibly back to the way they were in the first place!). The point of the first “half” pass is to find the stuff that needs attention in the big picture of the story. If I’m giving up a bunch of time just focusing on the section I’m in, I miss some big stuff.

When I come back on that second pass I can fix the stuff I need to with an improved understanding of how it meshes with the rest of the work.

Is it really that simple?

Umm… We’re talking about a manuscript over 50,000 words long (73,571 words for this specific manuscript at this specific point…) simple isn’t the first word I would use to describe any effective editing process for a document of that size.

The idea is really that simple: make notes about themes and the editing to be done, then go back and do the rest of the work. But, the practice can (and does) become more complex.

There are tools to be assembled. There is a mindset to be developed (and possibly habits to be broken). You have to figure out how to adapt the process to the way you work, and the manuscript you’re working on.


Well, we’re talking about making notes. So, you need a way to make notes. That could be the comment feature in Microsoft Word. It could be a feature in Scrivener. It could be a separate document on your computer. Or, it could be an actual, physical notebook. Myself, I go with the actual notebook because sometimes I like to work and think away from my computer.

You also need tools and a system for marking within a text. Again, this could be a software solution or physical tools, but you need a way of working that makes sense to you (and any co-authors and editors working with you).

I use a ‘dead tree’ edition of the manuscript and a collection of colored pens (yep, the weird colored ones you can’t use on official, legal documents). The colors help me recognize at a glance what the notes I’ve made refer to. Usually my color system goes something like this:

  • Blue: actual edits to the text (fixing typos and immediate edits). It’s old school classical editor stuff (though in the old days it would be a blue pencil…)
  • Black: notes on themes and general notes on stuff to be worked on in the second pass (this color gets used more in the notebook than in the manuscript)
  • Purple: Voice issues. Honestly, if I feel like there’s a problem with the voice in a section, I put a big purple circle around it. That way when I come back later I can figure out the right way to do the voice in view of the whole story.
  • Red: Continuity stuff. Red ink helps me make note of things that differ or shift between one section and another. Before I developed this technique, there were times the calendar and time of day started to feel more like suggestions than facts. And, that’s saying nothing of who did what to whom issues…
  • Green and other colors: I add other colors when necessary to reflect issues and needs within a specific project. For instance, in Unintended Consequences there are several points where texts and online chats are used for character communication. I used green to mark things that should have been in my text/online style but weren’t.

The tools I use (and the ones you develop for yourself) should make that “second” pass easier and more effective. When you get it right, a “one and a half pass” pass can easily get more done than three or four passes doing the “just focus on this chapter” method.

Summing up…

It’s really about productivity and improving your story (both interesting and readable/salable). Yes, the “one and a half pass” pass takes more work than a “single” pass. But, because you can look at the whole work with the help of your editing notes, you can get a lot more done in a pass than you could otherwise.

Nobody said this stuff was easy. The truth is writing takes work.

This method is a way I’ve found to make that work easier and more efficient.

And today I’m sharing it with you dear reader. Use it if you will. Adapt it to your own needs and process. And, I’ll see you next post.

(As usual, if you have something to say, leave a comment. Thanks)

Worth Saying?

It’s been said before, and I’m saying it again… If you’re going to be a writer you need to do three things:

  1. Read
  2. Write
  3. Read about writing

In a book I’ve been reading the author puts a lot of emphasis on having a salable story. It’s a valid question: is your story salable? It can also be an off-putting question.

On the other side of the writer’s pen I find people worried about writer’s block… One cause of “writer’s block” is the false belief you have nothing worth saying. Putting emphasis on a salable story can double down on that stress and fear.

Do I have a saleable story? And, do I have anything worth saying? Are both worthwhile questions, but never mistake them for the same question!

How do you define “worth saying” (or worth writing)?

Salability, a trait marking people’s willingness to pay money for a piece of writing is one way to measure worth, but it’s not the only one.

What about the things we say and write that make someone else feel loved? You might not be looking to be paid for those.

What about words that save a life? You might say or writing those words for a purpose other than the ‘almighty dollar’.

The question “Do I have anything worth saying?” can be properly rephrased as “Do I have anything to say that’s worth the effort I will put into it?”

I hope you have something worth the effort to say.

I also hope you put the effort into your ideas, all the ones you write and say that are worth saying.

What do you want out of what you write? Once you know, you can figure out what to say and make it worth saying. It takes a lot of work sometimes, but it is possible.

What is your purpose in writing? What do you want out of it? What interests you? What drives you? Once you have those answers you can, and will, find that within you and your world that is worth writing.

We all have something unique in our experience and perspective. We all have something worth saying.

We have to find it.

If we want people to read what we write, we also have to work it into something salable (but that’s a different question…).


Salability is a measure of whether, and how much, someone else will pay for the things we say and write.

Salability is as much about how you present your words and ideas as it is about the ideas themselves

It doesn’t matter how brilliant your idea is if your query letter reads like it should have been written in crayon. You probably aren’t going to be taken seriously as a publisher if you present an unreadable business plan. At the bank, you won’t get your funding if no one believe what you’re saying.

If your story contains more profanity and epithets than anything else highly doubt it will be salable as a children’s book…

Salability is about presentation and audience as much as it is about the idea. That means almost any idea, even a silly one, can be salable if you package it right and present it to the right audience. Remember the fidget spinner? The pet rock? The Tide Pod Challenge? All of those went big!

Salability is a question of research; figure out how to work your idea and who to present it to.

Chances are, if you have an idea worth saying you can make it salable with work (but it can take a lot of work).

If you’re not willing to put in the energy; if you don’t think the idea is worth saying, it will not be salable (at least not by you).

Be careful putting out ideas like that… Someone else may find them; find them worth saying; and then figure out how to really make them salable.

So there it is dear reader, two separate but related questions to get you where you want to go as a writer.

  1. Is it worth saying? If it is, work on that idea! If not, find something that is worth saying. You have something to say, trust me on that.
  2. Is it salable? It can be if it’s worth saying. You just have to figure out how to make it happen.

They’re real and important questions dear reader. And they’re questions every writer needs to ask regularly.

That’s it for this one. See you next post

Tools: organization systems…

Welcome to 2019 dear reader! One of the new things we’re doing this year is we want to use an FMP Instagram account to feature pictures related to the stuff we’re doing, and some pictures meant to provoke stories and ideas in the minds of our viewers and readers.

I’ve thought about using some of my toy collection in the pictures. But, it’s hard to do when you don’t have a schedule, and even harder when your tools (my toys) look like this…


So… one thing I’ve been working on is organizing.

It’s a little too common to hear people saying “I don’t have time to get organized”.

If they actually took the time it would pay off.

It takes an investment of time, and often money, to get organized. But, every time I compare organized work to unorganized work, I find I can get more done when I’m organized. That initial investment pays me back fairly quickly, and well.

In fact, some of the benefits can be quantified (as I’ll show below).

In the Instagram example there are two kinds of organization we need: physical, and planning/chronological

Physical organization

It’s costing me some money (about $9.00 per container), but I’ve found a solution for organizing the bits and pieces I’ll use for the pictures.


This method is costing money, but makes things much easier to find.


And this technique is flexible, I can alter and expand the organization as I go.


By taking this time now I’m making myself more willing to make the scenes and do the pictures.

And when I make the pictures, I can do them faster and easier. Because I can find the stuff I spend less time searching for the stuff.

I can even improve my pictures because I can see options I might forget otherwise.

Planning and time organization

As much as I love my bins and boxes I’ll never get around to doing the pictures if I don’t decide to do them and decide when they will be finished and posted. I also need to keep my decisions in front of me while I work.

My favorite tools for this (at the moment) is my Google calendar and task list. I can see how much time I have to get things done, and when things are due. They also help me figure out what parts to do when.

The tools help, but you have to get into the habit of using them and doing the thinking.

When you do the thinking, and then incorporate your decisions and plans into your calendar and task list, you are committing yourself to action. Committing yourself to action improves your chances of completing the task. Remembering that commitment (which your calendar/task list helps you with…) strengthens that commitment, and your probability of success.

Does it really help?

Yes, it really does. In fact, you can put numbers on it!

I finish 90+ percent of the things I put on my calendar, and maybe 50 percent of the ones I don’t

I can also get my pictures done faster, and as they say… Time is money. If having my toys organized saves me two minutes per picture, and I only do one picture per week that is a savings of 104 minutes over the course of a year (about 1.67 hours…),

If you figure 1.67 hours at the $15.00 minimum wage folks are talking about these days, that organization saves you $25.05 per year. Since I value my time above minimum wage, I save more. And, these numbers are for one picture per week. Some posts will have four or five pictures (plus pics for the blogs, etc.). When I figure in the value of my time and the multiple pictures per week, I’m definitely saving the cost of my boxes this year….

Getting and staying organized takes an investment, but doing it allows you to spend more of your time and money doing what you want and need to do in the long run. Saving that wandering and flailing around is worth it. So… I supposed I should get back to getting things organized and ready for the months (and books!) ahead.

If you have an organization technique you want to share, or a question about organization, let me know in the comments. I love responding to comments. And of course… See you next post!

2018 and the future…

Well, dear reader… We made it… This is the last Forever Mountain Publishing post of 2018. For good or ill, the year is just about over.

I have to say while we didn’t get everything to go our way, I’m kind of pleased with where the year is ending up. I personally got two fiction first drafts done, I found the motivation to get one that was stuck in my drawer fixed and out. I got a book out and published (always a good thing when you’re a writer…), met my publishing goals, survived being a leader for the local Cub Scouts, and found solutions for improving my writing, filming and other projects. For the first time in a while I’m going into 2019 with a complete planning picture of what I will do in the year to come!

Planning is vital lf you’re going to be a writer or publisher; you’ve got stuff to do and you rarely have an hour to hour manager looking over your shoulder. It’s a perk of the career, but it means you have to figure out how to manage your own time.

Planning is a big thing. Too big for a single blog post. It’s also one thing that will be an ongoing discussion here at FMP in the year (and years) to come. For now, dear reader, know that one of the best things you can do for yourself as a writer is to think about where you are, where you’ve been and what you need to do to become better. This principle of taking stock and making plans for the future is right there at the core of planning as a writer (or in just about any other field). And the end of the old year and the beginning of the new is a great time to do it.

Whoever you are and whatever you believe dear reader, I’m wishing you the best here at the year end. I am looking forward to Christmas with my family here in a couple of days.

Take stock, take care, and I’ll see you next post.

Pearl Harbor and moving forward

When this post goes up, it will be an anniversary of a battle. It is the anniversary of what was meant to be a crushing defeat. It could have been, but it wasn’t. December 7th 1941 ended with the bulk of the U.S. Pacific fleet burning or on the bottom of the bay at a place called Pearl Harbor. But, instead of giving up people got to work. A country went to war. Men and women took their fate and the fate of their country into their own hands and did something.

Men went into training. Women went to work. Ships rose from the ocean floor to fight those who had attacked them.

There was a lot to do. The fight was long. But, when the war ended in 1945 the United States of America stood stronger and taller than it had before. We as a nation, and many as individuals, became more than what we had been before. We grew stronger because of a defeat, a failure some were sure would kill us.

Failure and defeat happen. Sometimes, even when you win, you are so exhausted it seems like you can’t go on. One example of this, not as dramatic as a world war but a real thing, is what can happen to a writer after NANOWRIMO…

I’ve pulled it off again. I ‘won’ Nano… But I also won myself a lot of work. There are the worky icky managery things I’ve put off because I was taking a month to write, there are the blog posts I’m behind on and then there is an almost 60,000 word (222 double-spaced page for those non-word count folks) manuscript that is going to need a lot of work before it sees prime time.

But in some ways I’m one of the lucky ones. I actually finished the first draft.

Whether you’ve finished the first draft or not, there is still a lot of work ahead of you. There is a reason that Nano’s “finish the manuscript” period is in February and March. One of the most important things to do right now is figure out where the Q@%#$%#%#$!!! you are and what to do next. If you’re lucky, you’ve got a finished manuscript and you’re heading into the world of editing. If you didn’t finish the first draft, you might want to take a look at why, and figure out how to move forward.

Either way, there will be issues in your story you need to address. Sorry gang, no first draft is perfect. They just aren’t. You are going to have things in the story you need to fix. And, you’re going to need to shift your work habits to a different mode (and time table) to get through it. But it is possible.

Some of the work ahead will take a team. Sometimes you will need advice. Pretty much all the time you will need somebody other than you to read stuff (we’re not here to write a big old manuscript and then shove it up on a shelf…). What you need readers, advisors, and other helpers for depends on where you as a writer are, and what your story’s about. But one thing is definite, trying to do it all yourself is about as easy as one guy in a wetsuit trying to get one of those sunken battleships back into fighting shape!

Writing and publishing, and how to do those things, are what we talk about here. These are the stories, adventures, and learning experiences we share here. If you’ve succeeded in these things; if you are engaged in doing these things; if you’re having problems with these things, but are willing to stay in the fight; you are welcome here. We all have rough patches and hard spots in what we do. Any successful writer has a few failed manuscripts lying around. Any good writer has learned something from those failures and then used that learning to do more and better the next time.

I learned a lot doing Nano this year, and I hope ‘win’ or ‘lose’ you did to.  In fact, I learned things doing Nano that are motivating me to raise one of my ‘failed’ manuscripts off the ‘bottom of the bay’ and make it what it needs to be!

Take time and figure out what’s next dear reader, it’s that time. Spend time with the ones you love (and be on the lookout for those who are feeling alone!). Win or lose in the past we are heading into the future Dear reader and let’s make it a good one!


There are two standard ways to write a novel: the “Planner” method and the “Pantser” method.

Planners have (or claim to have) everything planned out. They figure out everything first, outline every detail, and then write the book. This method will work because it creates a pile of text with sufficient words and all the parts of a story. But, there is no Ah-hah moment. It‘s all laid out. Where’s the joy?

These books are often plot driven. Too often I see characters bent to fit a preconceived idea even though the author might feel the character would do something else.

Pantsers “just write”. Real Pantsers don’t have a plan… Writing this way is possible, but you at least need an idea!
Steven King is a Pantser done right. He starts with an idea or interesting concept, finds a starting group of characters, and then allows them to behave realistically.

This method can work. But, you need to have a good concept, and a handle on your characters (a handle… not a complete plan (please skip the second grade report card!)). You can succeed if you have the right skills and mindset.

But, people think the Pantser method is easy, “you jump in and write”. What they miss is that people like Steven King have had a lot of practice and an idea or concept in mind. Without those your story has a good chance of acting like a cow that finds a hole in the fence.

Being a Pantser takes work, it’s just different work. But, I like the freedom for surprises (that’s part of the fun).

Unless you‘re willing to put in the work; all I can say is “MOOO!”

When writing, I try to hold the middle ground. I have a situation and some big challenges planned. I have a handle on my characters and key events thought out (“fixed points in time” for you Doctor Who fans…). But, I don’t plan everything.

In one spot I may say, “Here my characters move out of their comfort zone into their adventure.” In another I may ask, “If my characters do this, how does the government react?”

I have a plan; however, I also allow things to move and grow as I learn about my characters and story.

This is the “Plantser” method. You plan (you know won’t happen), but you also leave yourself some freedom for the spontaneity and surprises that can make those great moments of literature.

Starting on the first, I’m once again doing NANOWRIMO dear reader. You might not hear much from me until December. My plan is here. And, I’m looking forward to having my questions answered!

I invite you to join us in the fun and madness of trying to write a 50,000+ word book in a month dear reader.

The choice is yours. And, I’ll see you next post!

Chaos, panic, other people, and getting it done!

At the time I’m writing this I have (at least) four big projects going, including: getting the finish work done on a book, getting a new chainmail project set out, putting together a story for a national completion, and gearing up for writing the third novel in a trilogy. I also have my wife at home recuperating from surgery, a Cub Scout den meeting tonight, dinner to make, shopping to do, and worky icky manager stuff demanding my attention. It isn’t always easy being a writer!

There are times when being a writer is really great; there are times you get into a flow and get some good work done.

There are also times when you’re a couple lines into your flow and someone comes and bangs on the door…

There are times that you want to work, but there are just a few too many things pulling you “out of your zone”.

We want things to go perfectly when we write, but let’s face it. Perfection is an ideal thing not a real thing. Fortunately there are things that we can do to help ourselves be better and more successful even when the wife/husband/child/pet is sick, the phone is ringing off the hook, random people are at the door, and your social media is infested with trolls.

Learn about yourself and your work style and then put that learning into action…

We’ve talked about this one before. You will be well served to learn about how you work as a writer: do you prefer to write in the morning or the afternoon? Do you like the stimulation of a busy place? Do you like to listen to music as you write? Do you need a lonely quiet place? Does a lovely beverage help? If so, which one?

When you learn these things the next step is to start putting them in place in your schedule.

If you write best in the morning, make it so that you can write in the morning. This may mean coordinating your schedule with other people and things. If you have a “day job” this means the “day job” gets relegated to afternoons or evenings. If you have to take the young’uns to school, you may want to figure out a car pool so you have more morning time to work.

If you like music, figure out what works for what you’re writing and build a sound track.

If the phone is what’s getting to you, you don’t have to answer. (Actually when I’m in my office my phone is usually on the other side of the house (which is why I never seem to answer phone calls before about two in the afternoon…)).

When you learn about your writing habits and what works for you, and then put that learning into action, you are actively reducing the distractions and other problems that can get in your way.

Plan and communicate with those family members…

This is a hard one. Your spouse/bf/gf/whatever always needs attention. So do your children. And of course the dog, cat, hamster, raccoon, or purple spotted land squid is going to do it’s best to stick its nose in as well. (And we haven’t even gotten to the mail man, the door to door salesman and the old friend from high school yet…).

One of the best things here is an office with a door (or perhaps even an office outside the house). This is actually one of the reasons I favor writing in restaurants for some projects (the caffeine refills also really help!).

I like my office time.  But I also know that you can’t just wall yourself off. Family members get hurt feelers, and the cat… Well he/she/it can get just plain vindictive. You need to communicate and do a little teaching. Help those family member and others understand that you are working and as much as you love them there are things you need to get done.

It’s complicated. You can have some real struggles with this one (enough to get their own post at minimum…). But you do have to set some boundaries and find some balance.

Don’t stop, redirect…

Even though it makes things harder sometimes, there is a reason I’ve always got more than one iron in the fire.  There is also a reason I try to plan ahead and know what needs to be done on which projects and when.

Having multiple projects, and plans for those projects, allows me to redirect when I’m really struggling to get work done. If the baby’s crying for attention, the ferret wants to nap on your keyboard, and your mother in law reeeaaly wants you on that conference call about the family reunion it’s probably not a great time to be working on new writing. But, it’s a funny thing…

Babies like a soothing tone of voice no matter what the words are. What about reading your work aloud while you’re holding the baby? That’s more the review/editing side of things, but it can help you think about what to write next.

If the ferret’s on the keyboard, maybe it’s telling you to get off the computer for a few minutes. Pick up the weaslekin and head for another room. You might not be writing at that moment, but you can still be figuring out how to pitch your story to an agent or editor. You can also be pondering that one detail on page 47 that just kind of feels wrong.

As for the mother in law… It’s a conference call. Unless there’s a camera on she’s not going to notice if you put the call on speaker and clean up your desk (you know you need to… And dust those shelves while you’re at it…).

The point is,  even if you’re stuck beating your head against the wall with one part of the process there is still probably something worthwhile you can be doing, something that will be moving your writing forward. It’s generally a better idea, and a better feeling, to be getting something done than to be banging your head against a wall and getting pissed off about it.

If you can’t seem to get rolling on what you’re trying to do. Find some other productive part of the process to work on and let your subconscious work on the hard stuff. It works amazingly well (definitely better than stopping completely or having a hissy fit…)

You have to make choices…

Let me bottom line it for you dear reader…

As much as I love writing these posts, if my wife is in pain and needs my help I’m going to be over there helping her and not in here writing this post. That’s a choice I’ve made.

As much as I want my story in that contest, I’m still making sure the light bill gets paid.

On the other hand…

As much as some people tell me I can’t do this I’m still getting the book done, I am still going to write. (Actually, those people are fun sometimes! Like when they tell you you’ll never be able to do this and then you pull out a royalty check… (And it doesn’t even have to be a big one…))

You have to make choices about what’s really important to you. It is the important things that will get done.

It helps to figure out why the stuff is important. I do the worky icky manager stuff because getting it done supports the writing stuff that I want to do. Another guy I know once spent two hours getting the lint out of the track for his closet door because he really didn’t want to face cleaning  the bathroom (the avoidance was important to him).

Sooner or later we have to make decisions about our writing. We have to decide what we really want and how to go about getting it. We have to decide how we work best and to organize our lives so it can happen. We have to decide what is really important and seek after those things.

When we genuinely make these decisions we can move on to figuring out how to make them happen. When we are honest with ourselves we can find ways to put down or deal with the distractions, and some of them may even go away on their own once the decision is made.

We do have to keep our decisions and reasons out in front of us (it helps us to stay on target). But we start by making the decisions and then succeed by following through.

Remember style points are only added after successful completion of the project! There will always be things we could have done to make it better.

If we continue in writing there will always be things to learn from and do better (or change completely!) next time.

But nothing succeeds like success. You have to finish a project for it to be done, and that means finding your way past the obstacles and distractions.

Speaking of getting it done…

I think we’ve finished the post dear reader…

So what say we all go out and get some other stuff done, and I’ll see you next post!

More reading and writing…

I’d like to thank the people who liked and responded to last week’s post about reading and writing. Since the post went up I’ve had a couple of interesting discussions on the subject. So, I’m adding a little bit more this week.

I mentioned I was finishing up Steven King’s On Writing. I’m not quite sure what comes next in that line (I’m thinking maybe the how to create an online class stuff my wife asked me to look at…). I’m also reading Glen Cook’s Garret for Hire and I’m about to start a book on how we got the King James Version of the Bible (Hey, um, even those among us who aren’t religious might be interested in the origins of a book that’s managed to stay on the market for a few hundred years…).

On the writing side off the house I’m finishing up a book on ‘Beach’ glass that’s due out by the end of the year, and I’m working on a novella about love and magic… (And there’s that story I’m supposed to submit for the Writer’s Digest short story contest, and…)

So, dear reader, I’ve told you what I’m doing… What are you reading and writing?

If you want to share leave a comment. And, I’ll see you next post.

1000 is just a number (but it’s a useful number)

Just a short one this week dear reader; lots going on. But, even when there is a lot going on, if you’re going to be a writer it’s kind of important to write…

There is an idea floating around out there that if you want to write a book you should write 1000 words a day. Some people swear by this rule, and some people hate it. Myself, I see a 1000 words a day goal (or any other X number of words per day goal) as a tool. I also look at it from the standpoint that if you average somewhere at or above your goal you are probably doing OK (so don’t kill yourself because you only got 994 words yesterday; you might get inspired and hit 1250 tomorrow…).

There’s lots of other stuff you need to do as a writer. There are lots of things to learn. You need to edit. You need to revise. You need to submit copy. You need to market copy. You really should do some research… But, while you’re out doing all of that you still need to actually write. That’s what a 1000 words per day goal does for you; it helps you actually write, to get into the habit of putting words on the page (or screen).

There is still a whole lot of stuff to do before and after, but if you’re a writer ya gotta write (it’s not just in the job description it’s in the job title…).

The X word per day goal is a way to help you get one part of the process done. It won’t save you on its own. But, it can help, especially if you have trouble getting to the actual writing part. In fact, once you learn to use and keep an X words per day goal it can help you to feel like you’re actually accomplishing something. If you meet your goal, or if you “don’t need one” because you’re already writing, why not stretch a little bit and do more?

Honestly after doing (and winning) NANWRIMO three years in a row 1000 words a day feels pretty easy. Knowing that I can do that much, knowing that I can work that part, makes it easier for me to move on and do some of the other things, the harder things, that I struggle with. Starting with a words per day goal and demonstrating I can do it is one of the things that has helped me move on to other parts and to set (and achieve) goals to do that harder stuff each and every day.

When we make specific goals, ones that we can state simply and actually achieve, we are starting down the road to make weak things strong; we are on our way to becoming better authors.

So, if you need a 1000 word per day goal, set one (if you’re doing NANOWRIMO set one somewhere north of 1600 words per day…). If you need to market better set a goal related to marketing. Thousand word goals (and any other goals you have) are tools to help you achieve and get stuff done. And, you have the power to set the goals you need!

That’s it for this one dear reader. Now get out there and do, and I’ll see you next post (at the moment we’re looking at doing a little software/app thing…)

Keyboards and pruning shears

Some people might not see how yard work ties in with the writing process, but it does. It’s not just in some strange scene or subgenre, and it’s not because I’m more or less always thinking about writing.

Step one planning and prep.

Sometimes you get really really lucky and a plant or story grows where you want it to without you having to do anything. But, in a lot of those case the ‘volunteer’ plant or story happens a side effect of what you or some other living creature has already done.

It happens but it’s not something that can be counted on to happen as often as we might like.

Usually we have to do some planning, to decide what we want to plant (or write) and how we want to go about it, both step wise and organization wise. This can include sketches, story boards, outlines, or whatever other planning tools you see fit. What matters is you figure out what you want to put where and have a plan that makes it possible.

It is also a good idea to do some fertilization. In the yard that means getting needed nutrients into the ground. In writing it means doing some reading and research. In either case it means you’re making sure your seed (story or plant) has what it needs to grow.

Sometimes you get lucky and a cool plant or story ‘just happens’. Most of the time you have to put in the initial work before the ‘magic’ really happens.

Step two growth

Hopefully our prework has gone well and our little seed starts to take off. The job at this point has a lot to do with making sure our seedling continues to have what it needs. In this first phase of growth (that’s a first draft for your fiction and nonfiction writing) a lot of what we are doing is trying to get the seedling to grow big and strong enough that we can start shaping it the way we want it, shaping it so that it can grow into what we want and start producing for us.

Usually we don’t’ want to do too much tinkering at this point, but the time is coming!

Step three training and pruning

And then the day comes that our first draft is finished. Our seedling story or plant is ready to start the process of being shaped and managed into what it needs to be in order to achieve the maximal, most beautiful and productive, success.

There is a lot going on at this point. We need to be filling holes caused by pesky gophers or plot points we missed; adding more fertilizer, protective chemicals, and other needed things (researching that one arcane point that’s suddenly important); and, possibly most scary, pruning.

Pruning isn’t a whole lot of fun. My roses have thorns that just love to stick me when I’m trimming. It hurts just as bad to accept that I need to trim out that bit of text or side character that I really like.

The truth is, if the bit doesn’t belong there or is going to cause problems it is best to cut it. Pruning helps get rid of sick, dying or otherwise problematic material that hinders the growth and productivity of our plants and our stories.

But, we don’t want to just trim willy-nilly. We need to put real thought into what to cut and what to keep. We don’t want to kill the best growth to get at one wonky stick…

Often when you’re working on the roses you need to get near and far views before you cut. This applies in writing as well: there comes a point where you need distance. Often in writing this distance comes from someone on the outside, someone who isn’t the writer (or even the main editor), someone who can read the thing and give you feedback to help you know if you are achieving the effect you want.

A bountiful harvest

Hopefully the plants and stories we nurture will reward us for our labors. They may do this with beauty, fruits and veggies, prestige, or even good old cash money. If this is what we want (and you know it is…) we have to put in work before the seed hits the soil or the pen hits the paper. And then we have to continue the process right up to the moment of harvest (and even do the finish work after…).

We can do this, but it takes time and effort. With plants and pages we need to develop our skills: our ‘eye’ to see; our understanding of techniques and subject matter; our ability to do the work; and all the things that are needed for success. Developing these things is what separates the winners from the losers at the state fair and the best seller list.

We can do this dear reader. It takes effort. It takes study and thought. But, we can do this.

Now get out there and do! (and I’ll see you next post)