Soundtracks for writing?

Environment is important for writing. There are a lot of plusses and minuses to writing in different locations. There are also a lot of elements in those environments that can be hard to control. But, there’s one environmental element we can control, and even bring with us as we travel. It’s also been claimed to have the power to transport us to other places. It’s as simple as listening.

Music can tell stories. Music can trigger memories. Music can tap into raw emotions. Music is a tool that shouldn’t be overlooked in the preparation and process of writing.

There are also complications and problems. But many of those can be controlled by choices you make.

(Some of) the problems with music

Some of us like to write in public. And, it’s problematic to listen to our ‘writing music’ in public places. We don’t want to be offensive, but we also want our music. Can you (safely) wear headphone or ear buds where you’re writing? What about finding somewhere that has ambient sound/music that works for you?

A bigger problem, whether you’re in public or private, comes in the form of sensitivity to lyrics. I don’t mean the “I’m gonna shoot a cop then rape your grandma” lyrics (though there are problems with that kind of lyrics…). The problem we’re talking about is that for some of us, and in some processes, lyrics in music can be distracting.

This one is easier to cope with when you can choose the music you’re listening to (so… in your writing spot at home or using those ear phones/buds…). Choose music with lyrics that work for you, or just instrumental music.

It’s true that sometimes the lyrics you’re listening to get in the way. Sometimes that happens. For me it happens more in new writing. I like lyrics during the editing process. The answer (as usual dear reader) is to experiment a little, learn what works for you, and use it.

And music can work for you dear reader.

Music, emotion, and taking you there

Music (the sound portion) operates on a different level of thinking/feeling than the spoken word. It can convey emotion to us in ways the written or spoken word can’t. This effect can be amplified when you add the right lyrics. Because of this ability, music can be helpful for getting into the right headspace for a scene in a story, or for building up our courage for writing that difficult or scary part of your non-fiction (both my wife and I have finished graduate degrees we know about difficult and scary parts in writing fiction and non-fiction…).

Music can also be linked to a time and place. That’s both good and powerful.

It wouldn’t be too hard for me to get to some of the physical locations we call the old west (a lot of them are within a day’s drive). But, getting back to the time of the old west is harder. Music can help with that. I can find modern (recorded) performances of old western music to help put my mind in the frame of that time and place.

I can also pull out my Japanese, Pilipino, and Thai music to get me over to Asia.

Or, I can throw on some Bach or Telemann (You know… Just in case I need to get back to Leipzig in the 1840s and my TARDIS is in the shop…).

We have the technology to feed ourselves a steady stream of music that helps us be in the mental space to write and even to feel a link to times, places, and experiences near and far. We can use that music to inspire us and make writing easier. (It even helps some of us concentrate better!)

For me, developing a ‘soundtrack’ for a writing project is as useful, or more useful, than ‘teacher approved’ techniques like outlining. Thinking about and planning my soundtrack gets me thinking about what the themes of the story are, what the feeling of the story is. In its own weird way, planning my soundtrack is outlining the story on an emotional level… It can also count as part of my research if I’m doing a period piece.

What are your thoughts about soundtracks for writing dear reader?

Leave a comment if you like. And, I’ll see you next post.

POV and understanding

This week I finished the “1/2” portion of my 1 ½ pass editing pass for the Johnson Farm reedit and The Calm Inside the Storm. One of the biggest results is some serious thought about point of view.

Some scenes only get one point of view. Sometimes there’s only one character around to have a point of view. Sometimes only one character is trustworthy enough to give his/her point of view (and then unreliable narrators happen…), sometimes we’re trying to keep it simple and only use one POV throughout the work. But sometimes we can benefit from multiple points of view on a scene or situation, even if those points of view don’t all make it into the final work.

Multiple points of view can make for a complicated scene and a complicated story. But:

  • Sometimes multiple points of view are informative. The reader can learn more about the situation and the characters. If your hero describes the scene one way and the villain another, you can learn something about the story from the differences, the things not said and the things that conflict. As a writer, you can “show not tell” by allowing your reader to extrapolate from multiple accounts.
  • Sometimes one character might “have the angle” and can see something another character can’t. if this is true for only one character and the information is relevant, then you want that character’s point of view on the page. If it happens for two characters, you should consider ways to get both points of view onto the page.
  • Sometimes you learn something from writing from a different character’s point of view. I have a case of this in my current work. Both John and Jamie have accounts of a particular scene and those accounts will be in their respective stories. But, Jamie’s mom is also in the room and I’m having trouble wrapping my mind around decisions she’s making. Solution: rewrite the scene from the mother’s POV. It probably won’t make it into the book, but the finished scenes will be better because I know what the Q%$@#!!! is going on in mom’s head while the teens are being teens.
  • Sometimes those points of view that don’t make it into the main work can be used in other ways. I just mentioned rewriting a scene from Jamie’s mother’s perspective. How hard will it be to turn that scene into a promotional short story to help advertise the book? (I don’t know because I haven’t written it yet, but it’s a possibility)

Alternate points of view can be a resource sink. But, sometimes the reader and the author learn something worthwhile. Writing from multiple perspectives can help you and your readers understand things that would otherwise be missed or require a bunch of story-slowing exposition. Multiple perspective take more work (sometimes…), but if they make the story better, they’re worth considering.

These are my thoughts dear reader. What do you think? Are multiple points of view good? Bad? Over complicated? Enjoyable? Leave a comment if you’re so inclined, and… I’ll see you next post.

Bounce back!

As writers we’re often working on one or more big projects: a first draft of a book, editing a manuscript into a book, launching a book, working on another first draft for a book… One thing we don’t seem to talk about is what to do in the time between those big projects.

Myself, I usually want to roll straight into the next one, finish what I’m working on and roll into the next big thing. Occasionally I even try to do that, even though I know it’s a mistake.

We writers have lots of reasons for the stuff we work on, and we put a lot of resources (physical, mental, time, and financial) into those big projects. We might want to plow straight into that next big thing, but there are reasons to give it a little time and space.

The ‘managery stuff’ in-between

Chances are there are some little things that need to be handled between projects. It’s a good idea to take some time to make sure the bills are paid; put away the notes, pieces, and what-evers from that last project (you’ll need some space for the next one); shovel out those coffee cups/soda cans/water bottles that seem to accumulate (and then go get new ones!); pick up the other physical supplies you need; communicate with people (you know… your agent, your spouse (maybe even your kids), that contractor who still hasn’t fixed that leak…).

There are lots of little things that need to be done. If you take time between projects to make sure they’re taken care of it helps cut down on nasty surprises while you’re working on the next one.

Resupply missions…

I already mentioned getting more soda/coffee/whatever and more office supplies, but you have other resources and reserves that need to be restocked.

Catch up on some sleep.

Read a book. (And not one you’re using for research…)

Maybe you should get a little exercise and sunlight…

We have physical (as in body) and mental resources that need to be recharge from time to time. As much as we might not want to admit it; some exercise, a couple of nights sleep, a little non-work social interaction, and/or some other physical and mental activities away from the writing desk will help us get ready for that next big push.

You don’t want to be away for too long (your skills can atrophy with non-use) but running from big project to big project without rest can be just as damaging (and worse, you could be underperforming and be too exhausted to realize it…).

Give yourself a little time to recover. To borrow from (and edit for language) the advice of an old Staff Sargent, “Grab a drink, have some fun, get in trouble somewhere else for a while!”

Plan and prepare

Chances are you learned something in that last big project. Take a little time to record and understand what you learned. And while you’re at it, put together some plans and figure out what you need for that next big push.

Are there people you need to talk to?

Is there research you need to do (that you know about)?

Does the new project differ from the last one in ways that change your approach to the project (again, any you know about…)?

Take some time at the end of the last project to make sure things are in place before you start the next one. You know more about the process and about yourself than you did when you started the last one. Use that information to help you in the gear-up process for the next one

Whatever you do, don’t give up!

Whatever you do, come back for the next one dear reader. Don’t give up. Don’t surrender. Take your time between projects to analyze what you’ve learned, recharge your resources, get things in place for the next push, and maybe even spend a little time with your loved ones (remember them?); then, come back and get started on that next big project.

If you’re a writer, you’re doing this at least in part out of love. You won’t be happy if you don’t.

That’s it for this one dear reader. If you’re still climbing that mountain good luck in the climb. If you’ve finished the climb grab a little rest. And, I’ll see you next post!

Office supplies and NANOWRIMO…

A lot can change in a week. In the last seven days: I got a novel to the publisher (toy/reward budget unlocked!), plans with my in-laws changed (three times…), and (at least in my area) School supply season is open!

Long time readers know that I’m one of those weird old-school writers who like to write things out long hand before using the computer. There are lots of reasons: I think at about the same speed as I write, my notebook never runs out of batteries, my handwriting is bad enough it counts a data encryption (sadly not a joke…), my notebook is lighter than my laptop… It’s a system that works for me (and as always I encourage you to find the system that works for you and use it).

The system works, but it means I spend a fair amount on office supplies.

I guess you could say office supplies are a two-stage motivator for me. Office supplies make me happy (no idea why), and when I have a bunch of them, I find myself thinking “Well, I have them, so I’d better use them!” which gets me to writing. And then the writing depletes the stock sending me back for more office supplies (is there such a thing as a positive vicious cycle?).

School supply season also reminds me that National Novel Writing Month (NANOWRIMO) is just around the corner. And, that means I will need a new box of pens and at least 5-6 purple notebooks for my nano project, and at least 4-5 yellow ones for those edits/rewrites that will definitely happen. And then, since I have the stuff, I can’t let myself back out on NANO. It’s both a productive writing time and my vacation of sorts.

But, NANOWRIMO the organization is more than just a bunch of writers flogging keyboards and using massive amounts of caffeine. They also promote reading and writing in our schools and libraries. NANOWRIMO is both a way to get that first draft out and a way to do some good in the world. (If you want two ways to do good and like office supplies, why not donate some to someone in need as well?)

As writers we’re a lucky bunch, we get to chase our dreams and obsessions and call it work! We get to learn, do, and create things we want to. Those are perks of the job (make that a career… life style…?).

But, it’s also good to help others while we’re helping ourselves. And, NANO is a great way to do that.

I’m sure I’ll be talking more about NANOWRIMO (and office supplies) in the months to come (I do every year). In the meantime, check out the organization , think about giving, and writing.

And, I’ll see you next post.

The “one and a half pass” editing pass

The day this post goes live I’m collecting the last of my reader feedback for Unintended Consequences. That means Monday, June 3, 2019, I am starting what will, hopefully, be my last pass on the book before the whole thing gets submitted to the ‘big’ editors for publication. It’s time to give the whole manuscript one big once-over using everything I’ve learned, just to make sure it’s ready.

I’ve said it before, one of the best things you can do to develop as a writer is to read about writing.  A while back I read Steven King’s On Writing and learned something important….

One of the most helpful (to me at least!) things in that book is the simple statement that when Steven edits, he makes notes on themes. When I read that. I realized I should do the same thing. It would help in longitudinal (through story) editing. I tried it, and my system’s grown from there.

This new and evolving system has really helped me pull the book together. Since I’ve developed the “one and a half pass” editing pass I honestly get more done each time I go through a manuscript.

Why a “one and a half pass” pass.

Well, that’s because the first pass isn’t really a complete pass. The first time through, I might fix little things: typos, little bits of formatting, etc. But I’m spending a lot more time marking the bigger stuff I need to work on and making notes. What this does for me is it helps focus on the themes important to the book (and the ones that need to be edited out). It also helps identify problems in continuity within the book (and between books if you’re doing a series…) and gives me time to think about those big fixes and insight about how to resolve them in the context of the whole book.

So, the “first” pass isn’t really a complete edit. It’s a list of what I need to work on in the edit. The second pass begins armed with the notes I’ve made and helps me fix the things that need to be fixed, drop the things that need to go away, and focus on the story as a whole.

That “second” pass is really a complete editing pass, but I couldn’t do it without the first ‘partial’ pass.

Why not just make notes and edit everything in one pass? Because, that results in lots of little mucking about with things that will change again (possibly back to the way they were in the first place!). The point of the first “half” pass is to find the stuff that needs attention in the big picture of the story. If I’m giving up a bunch of time just focusing on the section I’m in, I miss some big stuff.

When I come back on that second pass I can fix the stuff I need to with an improved understanding of how it meshes with the rest of the work.

Is it really that simple?

Umm… We’re talking about a manuscript over 50,000 words long (73,571 words for this specific manuscript at this specific point…) simple isn’t the first word I would use to describe any effective editing process for a document of that size.

The idea is really that simple: make notes about themes and the editing to be done, then go back and do the rest of the work. But, the practice can (and does) become more complex.

There are tools to be assembled. There is a mindset to be developed (and possibly habits to be broken). You have to figure out how to adapt the process to the way you work, and the manuscript you’re working on.

Tools?

Well, we’re talking about making notes. So, you need a way to make notes. That could be the comment feature in Microsoft Word. It could be a feature in Scrivener. It could be a separate document on your computer. Or, it could be an actual, physical notebook. Myself, I go with the actual notebook because sometimes I like to work and think away from my computer.

You also need tools and a system for marking within a text. Again, this could be a software solution or physical tools, but you need a way of working that makes sense to you (and any co-authors and editors working with you).

I use a ‘dead tree’ edition of the manuscript and a collection of colored pens (yep, the weird colored ones you can’t use on official, legal documents). The colors help me recognize at a glance what the notes I’ve made refer to. Usually my color system goes something like this:

  • Blue: actual edits to the text (fixing typos and immediate edits). It’s old school classical editor stuff (though in the old days it would be a blue pencil…)
  • Black: notes on themes and general notes on stuff to be worked on in the second pass (this color gets used more in the notebook than in the manuscript)
  • Purple: Voice issues. Honestly, if I feel like there’s a problem with the voice in a section, I put a big purple circle around it. That way when I come back later I can figure out the right way to do the voice in view of the whole story.
  • Red: Continuity stuff. Red ink helps me make note of things that differ or shift between one section and another. Before I developed this technique, there were times the calendar and time of day started to feel more like suggestions than facts. And, that’s saying nothing of who did what to whom issues…
  • Green and other colors: I add other colors when necessary to reflect issues and needs within a specific project. For instance, in Unintended Consequences there are several points where texts and online chats are used for character communication. I used green to mark things that should have been in my text/online style but weren’t.

The tools I use (and the ones you develop for yourself) should make that “second” pass easier and more effective. When you get it right, a “one and a half pass” pass can easily get more done than three or four passes doing the “just focus on this chapter” method.

Summing up…

It’s really about productivity and improving your story (both interesting and readable/salable). Yes, the “one and a half pass” pass takes more work than a “single” pass. But, because you can look at the whole work with the help of your editing notes, you can get a lot more done in a pass than you could otherwise.

Nobody said this stuff was easy. The truth is writing takes work.

This method is a way I’ve found to make that work easier and more efficient.

And today I’m sharing it with you dear reader. Use it if you will. Adapt it to your own needs and process. And, I’ll see you next post.

(As usual, if you have something to say, leave a comment. Thanks)

Worth Saying?

It’s been said before, and I’m saying it again… If you’re going to be a writer you need to do three things:

  1. Read
  2. Write
  3. Read about writing

In a book I’ve been reading the author puts a lot of emphasis on having a salable story. It’s a valid question: is your story salable? It can also be an off-putting question.

On the other side of the writer’s pen I find people worried about writer’s block… One cause of “writer’s block” is the false belief you have nothing worth saying. Putting emphasis on a salable story can double down on that stress and fear.

Do I have a saleable story? And, do I have anything worth saying? Are both worthwhile questions, but never mistake them for the same question!

How do you define “worth saying” (or worth writing)?

Salability, a trait marking people’s willingness to pay money for a piece of writing is one way to measure worth, but it’s not the only one.

What about the things we say and write that make someone else feel loved? You might not be looking to be paid for those.

What about words that save a life? You might say or writing those words for a purpose other than the ‘almighty dollar’.

The question “Do I have anything worth saying?” can be properly rephrased as “Do I have anything to say that’s worth the effort I will put into it?”

I hope you have something worth the effort to say.

I also hope you put the effort into your ideas, all the ones you write and say that are worth saying.

What do you want out of what you write? Once you know, you can figure out what to say and make it worth saying. It takes a lot of work sometimes, but it is possible.

What is your purpose in writing? What do you want out of it? What interests you? What drives you? Once you have those answers you can, and will, find that within you and your world that is worth writing.

We all have something unique in our experience and perspective. We all have something worth saying.

We have to find it.

If we want people to read what we write, we also have to work it into something salable (but that’s a different question…).

Salability

Salability is a measure of whether, and how much, someone else will pay for the things we say and write.

Salability is as much about how you present your words and ideas as it is about the ideas themselves

It doesn’t matter how brilliant your idea is if your query letter reads like it should have been written in crayon. You probably aren’t going to be taken seriously as a publisher if you present an unreadable business plan. At the bank, you won’t get your funding if no one believe what you’re saying.

If your story contains more profanity and epithets than anything else highly doubt it will be salable as a children’s book…

Salability is about presentation and audience as much as it is about the idea. That means almost any idea, even a silly one, can be salable if you package it right and present it to the right audience. Remember the fidget spinner? The pet rock? The Tide Pod Challenge? All of those went big!

Salability is a question of research; figure out how to work your idea and who to present it to.

Chances are, if you have an idea worth saying you can make it salable with work (but it can take a lot of work).

If you’re not willing to put in the energy; if you don’t think the idea is worth saying, it will not be salable (at least not by you).

Be careful putting out ideas like that… Someone else may find them; find them worth saying; and then figure out how to really make them salable.

So there it is dear reader, two separate but related questions to get you where you want to go as a writer.

  1. Is it worth saying? If it is, work on that idea! If not, find something that is worth saying. You have something to say, trust me on that.
  2. Is it salable? It can be if it’s worth saying. You just have to figure out how to make it happen.

They’re real and important questions dear reader. And they’re questions every writer needs to ask regularly.

That’s it for this one. See you next post

Tools: organization systems…

Welcome to 2019 dear reader! One of the new things we’re doing this year is we want to use an FMP Instagram account to feature pictures related to the stuff we’re doing, and some pictures meant to provoke stories and ideas in the minds of our viewers and readers.

I’ve thought about using some of my toy collection in the pictures. But, it’s hard to do when you don’t have a schedule, and even harder when your tools (my toys) look like this…

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So… one thing I’ve been working on is organizing.

It’s a little too common to hear people saying “I don’t have time to get organized”.

If they actually took the time it would pay off.

It takes an investment of time, and often money, to get organized. But, every time I compare organized work to unorganized work, I find I can get more done when I’m organized. That initial investment pays me back fairly quickly, and well.

In fact, some of the benefits can be quantified (as I’ll show below).

In the Instagram example there are two kinds of organization we need: physical, and planning/chronological

Physical organization

It’s costing me some money (about $9.00 per container), but I’ve found a solution for organizing the bits and pieces I’ll use for the pictures.

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This method is costing money, but makes things much easier to find.

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And this technique is flexible, I can alter and expand the organization as I go.

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By taking this time now I’m making myself more willing to make the scenes and do the pictures.

And when I make the pictures, I can do them faster and easier. Because I can find the stuff I spend less time searching for the stuff.

I can even improve my pictures because I can see options I might forget otherwise.

Planning and time organization

As much as I love my bins and boxes I’ll never get around to doing the pictures if I don’t decide to do them and decide when they will be finished and posted. I also need to keep my decisions in front of me while I work.

My favorite tools for this (at the moment) is my Google calendar and task list. I can see how much time I have to get things done, and when things are due. They also help me figure out what parts to do when.

The tools help, but you have to get into the habit of using them and doing the thinking.

When you do the thinking, and then incorporate your decisions and plans into your calendar and task list, you are committing yourself to action. Committing yourself to action improves your chances of completing the task. Remembering that commitment (which your calendar/task list helps you with…) strengthens that commitment, and your probability of success.

Does it really help?

Yes, it really does. In fact, you can put numbers on it!

I finish 90+ percent of the things I put on my calendar, and maybe 50 percent of the ones I don’t

I can also get my pictures done faster, and as they say… Time is money. If having my toys organized saves me two minutes per picture, and I only do one picture per week that is a savings of 104 minutes over the course of a year (about 1.67 hours…),

If you figure 1.67 hours at the $15.00 minimum wage folks are talking about these days, that organization saves you $25.05 per year. Since I value my time above minimum wage, I save more. And, these numbers are for one picture per week. Some posts will have four or five pictures (plus pics for the blogs, etc.). When I figure in the value of my time and the multiple pictures per week, I’m definitely saving the cost of my boxes this year….

Getting and staying organized takes an investment, but doing it allows you to spend more of your time and money doing what you want and need to do in the long run. Saving that wandering and flailing around is worth it. So… I supposed I should get back to getting things organized and ready for the months (and books!) ahead.

If you have an organization technique you want to share, or a question about organization, let me know in the comments. I love responding to comments. And of course… See you next post!

2018 and the future…

Well, dear reader… We made it… This is the last Forever Mountain Publishing post of 2018. For good or ill, the year is just about over.

I have to say while we didn’t get everything to go our way, I’m kind of pleased with where the year is ending up. I personally got two fiction first drafts done, I found the motivation to get one that was stuck in my drawer fixed and out. I got a book out and published (always a good thing when you’re a writer…), met my publishing goals, survived being a leader for the local Cub Scouts, and found solutions for improving my writing, filming and other projects. For the first time in a while I’m going into 2019 with a complete planning picture of what I will do in the year to come!

Planning is vital lf you’re going to be a writer or publisher; you’ve got stuff to do and you rarely have an hour to hour manager looking over your shoulder. It’s a perk of the career, but it means you have to figure out how to manage your own time.

Planning is a big thing. Too big for a single blog post. It’s also one thing that will be an ongoing discussion here at FMP in the year (and years) to come. For now, dear reader, know that one of the best things you can do for yourself as a writer is to think about where you are, where you’ve been and what you need to do to become better. This principle of taking stock and making plans for the future is right there at the core of planning as a writer (or in just about any other field). And the end of the old year and the beginning of the new is a great time to do it.

Whoever you are and whatever you believe dear reader, I’m wishing you the best here at the year end. I am looking forward to Christmas with my family here in a couple of days.

Take stock, take care, and I’ll see you next post.

Pearl Harbor and moving forward

When this post goes up, it will be an anniversary of a battle. It is the anniversary of what was meant to be a crushing defeat. It could have been, but it wasn’t. December 7th 1941 ended with the bulk of the U.S. Pacific fleet burning or on the bottom of the bay at a place called Pearl Harbor. But, instead of giving up people got to work. A country went to war. Men and women took their fate and the fate of their country into their own hands and did something.

Men went into training. Women went to work. Ships rose from the ocean floor to fight those who had attacked them.

There was a lot to do. The fight was long. But, when the war ended in 1945 the United States of America stood stronger and taller than it had before. We as a nation, and many as individuals, became more than what we had been before. We grew stronger because of a defeat, a failure some were sure would kill us.

Failure and defeat happen. Sometimes, even when you win, you are so exhausted it seems like you can’t go on. One example of this, not as dramatic as a world war but a real thing, is what can happen to a writer after NANOWRIMO…

I’ve pulled it off again. I ‘won’ Nano… But I also won myself a lot of work. There are the worky icky managery things I’ve put off because I was taking a month to write, there are the blog posts I’m behind on and then there is an almost 60,000 word (222 double-spaced page for those non-word count folks) manuscript that is going to need a lot of work before it sees prime time.

But in some ways I’m one of the lucky ones. I actually finished the first draft.

Whether you’ve finished the first draft or not, there is still a lot of work ahead of you. There is a reason that Nano’s “finish the manuscript” period is in February and March. One of the most important things to do right now is figure out where the Q@%#$%#%#$!!! you are and what to do next. If you’re lucky, you’ve got a finished manuscript and you’re heading into the world of editing. If you didn’t finish the first draft, you might want to take a look at why, and figure out how to move forward.

Either way, there will be issues in your story you need to address. Sorry gang, no first draft is perfect. They just aren’t. You are going to have things in the story you need to fix. And, you’re going to need to shift your work habits to a different mode (and time table) to get through it. But it is possible.

Some of the work ahead will take a team. Sometimes you will need advice. Pretty much all the time you will need somebody other than you to read stuff (we’re not here to write a big old manuscript and then shove it up on a shelf…). What you need readers, advisors, and other helpers for depends on where you as a writer are, and what your story’s about. But one thing is definite, trying to do it all yourself is about as easy as one guy in a wetsuit trying to get one of those sunken battleships back into fighting shape!

Writing and publishing, and how to do those things, are what we talk about here. These are the stories, adventures, and learning experiences we share here. If you’ve succeeded in these things; if you are engaged in doing these things; if you’re having problems with these things, but are willing to stay in the fight; you are welcome here. We all have rough patches and hard spots in what we do. Any successful writer has a few failed manuscripts lying around. Any good writer has learned something from those failures and then used that learning to do more and better the next time.

I learned a lot doing Nano this year, and I hope ‘win’ or ‘lose’ you did to.  In fact, I learned things doing Nano that are motivating me to raise one of my ‘failed’ manuscripts off the ‘bottom of the bay’ and make it what it needs to be!

Take time and figure out what’s next dear reader, it’s that time. Spend time with the ones you love (and be on the lookout for those who are feeling alone!). Win or lose in the past we are heading into the future Dear reader and let’s make it a good one!

Plantser…

There are two standard ways to write a novel: the “Planner” method and the “Pantser” method.

Planners have (or claim to have) everything planned out. They figure out everything first, outline every detail, and then write the book. This method will work because it creates a pile of text with sufficient words and all the parts of a story. But, there is no Ah-hah moment. It‘s all laid out. Where’s the joy?

These books are often plot driven. Too often I see characters bent to fit a preconceived idea even though the author might feel the character would do something else.

Pantsers “just write”. Real Pantsers don’t have a plan… Writing this way is possible, but you at least need an idea!
Steven King is a Pantser done right. He starts with an idea or interesting concept, finds a starting group of characters, and then allows them to behave realistically.

This method can work. But, you need to have a good concept, and a handle on your characters (a handle… not a complete plan (please skip the second grade report card!)). You can succeed if you have the right skills and mindset.

But, people think the Pantser method is easy, “you jump in and write”. What they miss is that people like Steven King have had a lot of practice and an idea or concept in mind. Without those your story has a good chance of acting like a cow that finds a hole in the fence.

Being a Pantser takes work, it’s just different work. But, I like the freedom for surprises (that’s part of the fun).

Unless you‘re willing to put in the work; all I can say is “MOOO!”

When writing, I try to hold the middle ground. I have a situation and some big challenges planned. I have a handle on my characters and key events thought out (“fixed points in time” for you Doctor Who fans…). But, I don’t plan everything.

In one spot I may say, “Here my characters move out of their comfort zone into their adventure.” In another I may ask, “If my characters do this, how does the government react?”

I have a plan; however, I also allow things to move and grow as I learn about my characters and story.

This is the “Plantser” method. You plan (you know won’t happen), but you also leave yourself some freedom for the spontaneity and surprises that can make those great moments of literature.

Starting on the first, I’m once again doing NANOWRIMO dear reader. You might not hear much from me until December. My plan is here. And, I’m looking forward to having my questions answered!

I invite you to join us in the fun and madness of trying to write a 50,000+ word book in a month dear reader.

The choice is yours. And, I’ll see you next post!