Reading and writing

Well, I had planned to do a software thing this week… But, as it happens the new technology is kind of being a pain in the rear. So… We’ll talk about some old technology instead.

Woven in-between the other things on my schedule I am almost finished reading Steven King’s On Writing. For any of you who haven’t met the book it is a bit of a memoir, but a lot more of a how to write well book than a “when I was five we moved to…” sort of book. It is definitely worth a read.

One of the things Steven talks about is the relationship between reading and writing. I actually agree with him very much, to paraphrase his words “If you’re not reading you shouldn’t be writing either.”

We read for a lot of reason:

  1. We read to gain information
  2. We read for entertainment
  3. We read for inspiration
  4. We read to find good examples
  5. We read to find bad examples and to learn from other’s mistakes
  6. We… Well, you can run the list out as long as you like. The point is that there are a lot of reasons to read

Reading and writing are two different sides of an exchange of ideas. If you are going to do the writing side well, then you have to understand what the project looks like from the reading side including format, language use, punctuation, voice, etc. The way you learn about what things look like from the reading side is to read.

Reading shapes writing

It does. You pick up bits and pieces while reading that will show up in your writing (or will be kept out of your writing because you learned to avoid the mistakes…). But that doesn’t mean that your writing has to echo someone else’s too closely (that would be plagiarism…). No, reading shaping writing works best (and most ethically) as a process in which you pick up bits and pieces here and there and “try them on” in the process of finding your own voice and your own story.

I might pick up an arcane detail here, a formatting style there. I think I picked up my preference for using a polyphonic structure in large stories from George R.R. Martin, but some of my thoughts on how magic works are heavily influenced my David Eddings.

It’s a process that works over time. The stuff you read will influence how you write, but you really do need to draw in the bits you like and work on your own style (a while back I looked at some of my earlier stuff (like my first finished book length manuscript) and immediately decided I have to rewrite it before I put it out (can you say Tolkien much… And, that’s not even counting the fact that I hadn’t really figured out how to write female characters yet…)).

Don’t limit your reading

Don’t. I know you might want to write in a given genre, and you need to read a lot in that genre if you’re going to learn and write it well. But, it will help if you read outside your genre too. You might even want to jump the tracks and read some nonfiction (or read some fiction if you’re a nonfiction writer).

Reading outside of your area of specialization helps bring in fresh and interesting ideas. It can help sweep out the cliché’s and help you write things differently.

When I’m in my ‘normal’ work mode I usually have two or three books going at the same time. Usually I’m reading a novel or memoir (something where story is king), a nonfiction book about a subject I’m interested in or researching (coins, guns, history, psychology, geology (pretty much any of the ‘ologies’ really), or anything else I want or need to know more about, and one ‘worky icky’ book, one that is about writing, publishing, or marketing (you know the books that you don’t necessarily want to read but you need to in order to succeed in your craft).

One of the reasons I cycle between books is that I know the limits of my attention span, and I know how fast I can read. If I read too much of the same thing for too long my efficiency drops and it takes me longer to finish a book. Reading and rotating actually helps me pay attention and read more books in a given amount of time (your mileage may vary).  One of the keys is to make the books different. Reading three of the same kind of book at the same time would be more confusing than reading in three separate areas at the same time.

Putting it on the page

I’m a writer and an editor. I think a lot of the people who read this blog are writers, editors, and other sorts of folks involved in putting words on the screen or page. When we are reading, at least one of the things we are doing is learning about the writing process. We need to ask ourselves some questions about the stuff we’re reading and actually use our answers in the stuff we’re writing and editing.

Is that arcane fact interesting for some reason? How can you use it in your own work?

Is that opening effective? Is the writer conveying his/her meaning well? Is that an aspect you can borrow?

If the scene you just read sucks, then why does it suck? Are you guilty of the same mistake?

When we analyze the stuff we read, and then apply that analysis to our own writing, we develop our writing style and we are on the way to making ourselves better writers (you know, the ones who can write better, sell more, and actually make a dollar doing this stuff…).

It is important to put stuff into the system by reading and experiencing the world around us. And, if we want to be writers, we need to take that stuff we’ve put into the system and put it out in our own way, in our own words, and in our own works.

If you want to be a writer you’ve got to write. If you want to learn how to write better, you need to examine the written word, and that means reading.

There’s lots of other things to do (experiencing life and people is important too), but reading is a key to being a good writer (even a great one). And, of course, writing is kind of what the job is; it’s taking the knowledge and tools that we’ve gathered and using them in a satisfying and effective way. And that’s kind of what this is all about.

That’s it for this one dear reader. If you’re looking for something to read between this post and the next one, give On Writing a try, or take a look at a couple of posts here and at my other blog Words Mean Stuff (last week we actually talked about meaning, and next week we’re talking context). And… I’ll see you next post!

Published by Farangian

I'm a writer (fiction and non fiction) with a Masters in Psychology. I am also a sculptor, metal smith, lapidary, tutor/trainer, and eternal student. The name Farangian comes from the name of a fantasy world I created called Farangia. That name comes from Farang with is a term that the Thai use for westerners.

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